Logo

Eyes of the City

2020

After Jane Jacob's eyes on the street, Eyes of the City 2019 Shenzhen Biennale explores how sensors and tech reshape urban life.

After Jane Jacob's “eyes on the street,” we are now entering the era of the “Eyes of the City.” What happens, then, to people and the urban landscape when the sensor-imbued city is able to gaze back? 在简·雅各布斯的“街道之眼”之后,我们现在正进入“城市之眼”的时代。“当充满传感器的城市拥有了视觉能力,就像它拥有“眼睛”一般,到底会发生什么?” Full Curatorial Statement

After Jane Jacob's “eyes on the street,” we are now entering the era of the “Eyes of the City.” What happens, then, to people and the urban landscape when the sensor-imbued city is able to gaze back? 在简·雅各布斯的“街道之眼”之后,我们现在正进入“城市之眼”的时代。“当充满传感器的城市拥有了视觉能力,就像它拥有“眼睛”一般,到底会发生什么?” Full Curatorial Statement

Curatorial Statement

After Jane Jacob’s “eyes on the street,” we are now entering the era of the “Eyes of the City.” What happens, then, to people and the urban landscape when the sensor-imbued city is able to gaze back? Full Curatorial Statement

Laserscape

©MIT+AMS

Exhibitions

From the beginning of the Biennale(Mar. 2019), I has begun my position as Assistant Curator under the supervision by Chief Curator Prof. Carlo Ratti and Execution Curator Daniele Belleri. The “Eyes of the City” exhibition consists of eight sub-sections, each of them exploring a different way in which new technologies are impacting urban life.

  1. THE WORLD’S URBAN LAB
  2. MOBILITY LANDSCAPES
  3. SILICON PUPILS
  4. DIGITAL SOCIETY
  5. DESIGN INTELLIGENCE
  6. ARTIFICIAL ECOLOGIES
  7. RESISTING TECHNOLOGIES
  8. CURATING THE CITY

The following is the word cloud I analyzed for each section.

Loading carousel...

Installation

View of the World from Futian Railway Station

Where is Shenzhen in relationship to the rest of the world? Developed through a special logarithmic scale, this 3D model of the Greater Bay Area (GBA) focuses on Shenzhen and Hong Kong and gradually expands to include large swaths of the planet, although its scale becomes increasingly smaller and distorted as you move away from the center.

steinberg newyorker

©steinberg newyorker

This visual approach is inspired by the Romanian-American illustrator Saul Steinberg’s drawing “View from 9th Avenue”. Since 1976, when it was featured on the cover of The New Yorker magazine, Steinberg’s illustration has come to symbolize New York City’s self-perceived centrality in world affairs. It is perhaps inevitable that with centrality - new or old - comes a degree of distortion.

View of world skewed

View of world skewed


View of world sketches

View of world sketches

View of world from Shenzhen

View of world from Shenzhen

Data Visualization

Prior to the the exhibition, I setup a data visualization system to collect the data from the open call.

Open Call Data

Open Call Data

Workflow is of tremendous importance to mega project with mass data. So setup a well-organized tangible data control platform makes easier for us to manipulate data and tasks. The data visualization is powered by Wolfram Mathematica.

Geolocation of Applicants

Geolocation of Applicants

Selected and Rejected Applications

Selected and Rejected Applications

Applicants gender and age distribution

Applicants gender and age distribution

Selected exhibitors on each section

Selected exhibitors on each section

Graph and Network of Selected Exhibitors

Graph and Network of Selected Exhibitors

Graph and Network of Section Descriptions

Graph and Network of Section Descriptions

Promotional program on Archdaily

Archdaily promotional program

Archdaily promotional program

As curators of the “Eyes of the City” section, our aim is to investigate the way digital technologies and Artificial Intelligence will impact both urban life and architectural practices. In the months leading up to the opening of UABB, we have started a global discussion on our curatorial statement on ArchDaily. During my internship, I coordinate this program and try to collect a critical contribution in response to the theme of our curatorial statement from our invited contributors like Yungho Chang, Antoine Picon, Kees Kaan, Daan Roosegaarde,Jeanne Gang, etc.

Onsite Images

Loading carousel...

PROJECT INFO

Year
2020

EXHIBITION

Location
Shenzhen, China

COLLABORATORS

Curators
Carlo Ratti
Collaborators
Claudia Mainardi, Erika Bettega

TAGS

interactive installation data visualization